kata pengantar untuk RPP

KATA  PENGANTAR

Puji syukur dan terimah kasih penulis panjatkan ke hadirat Tuhan Yanh Maha Esa karena atas berkat, rahmat dan karyunia-NYA, sehingga penyusunan Kurikulum Tingkat Satuan Pendidikan yang terdiri dari silabus, RPP, Program Mengajar dan semua kelengkapan lainnya dapat terselesaikan.

Pada dasarnya hal yang diterapkan kali ini lebih ditekankan pada peningkatan kompetensi siswa sehingga siswa mempunyai bekal hidup ketika bermasyarakat.Proses kegiatan saat ini lebih ditekankan pada praktek secara langsung sehingga siswa lebih mudah menyerap konsep yang dipelajari kususnya mata pelajran Fisika yang disajikan secara terpadu.

Akhirnya penulis menyadari bahwa penulisan ini memiliki banyak kekurangan dan keterbatasan, oleh karenya dengan kerendahan hati, penulis mengharapkan saran dan kritik dari pembaca demi penyempurnaannya. Penulis tak lupa menyampaikan terimah kasih bagi semua pihak yang sudah membantu hingga terselesainya penulisan ini. Kiranya Tuhan memberkati kita dalam menjalani tugas dan tanggung jawab kedepan. Terimah kasih.    

Ambon,     Agustus  2010

             Penyususn

BAB  I

PENDAHULUAN

A.      Latar  Belakang

Berdasarkan perkembangan Negara Indonesia dewasa ini telqah terjadi perubahan system sentralisasi ke system desentralisasi. Hal ini berpengaruh pada system pendidikan dimana masalah pendidikan dialihkan kedaerah. Hal ini Nampak pada proses perkembangan kurikulum pada satuan pendidikan (KTSP) yang mengacu pada standar Pendidikan Nasional yang didalamnya memuat standar isi, standar kompetensi lulusan, tenaga pendidik, sarana prasarana, pengelolaan, dan pembiayaan. Kesemua ini diatur oleh peraturan pemerintah antara lain :

1.      UU RI No. 20 Tahun 2003 tentang system pendidikan

2.      PP. No. 19 tentang Standar Nasional Pendidikan yang diarahkan pada kurikulum tingkat satuan pendidikan. Dan yang melatar belakangi dalam penyusunan KTSP antara lain :

1.      UU No. 32 Tahun 2004 tentang otonomi daerah dan wawasan demokrasi dalam penyelengaraan pemerintah

2.      UU No. 20 Tahun 2003

3.      PP No. 19 Tahun 2005

B.      Tujuan Pengembangan  KTSP

Terpaut dengan PP. No. 15 Tahun 2005 tentang standar Pendidikan Nasional Pasal 26 : 3, tujuan pengembangan KTSP adalah untuk meningkatkan kecerdasan pengetahuan kepribadian, akhlat mulia serta ketrampilan untuk hidup mandiri yang mengikuti pendidikan lanjutan sesuai dengan kejuruannya.

C.     Prinsip Pengembangan KTSP

1.      Potensi pengembangan kebutuhan dan kepentingan peserta didik

2.      Beragam dan terpadu, dalam pengertian kurikulum di kembangkan dengan memperhatikan keragaman karakteristik peserta didik, kondisi daerah, jenjang dan jenis pendidikan

3.      Tangkap terhadap perkembangan pengetahuan, teknologi dan seni. Kurikulum harus dikembangkan secara dinamis. Oleh karena itu semangat dan isi kurikulum memberikan pengalaman belajar peserta didik untuk mengikuti dan memanfaatkan perkembangan IPTEK.

4.      Menyeluruh dan berkesinambungan subtansi kurikulum mencakup keseluruhan dimensi kompetensi bidang kajian keilmuan dan mata pelajaran yang direncanakan dan disjikan secara kesinambungan antara semua jenjang pendidikan.

5.      Belajar sepanjang hayat. Kurikulum diarahkan kepada proses pengembngan, kebudayaan dan pemberdayaan peserta didik agar mampu dan mau belajar sepanjang hayat.

BAB  II

TUJUAN  PENDIDIKAN MENENGAH

A.      Tujuan  Pendidikan  Menengah  Kejuruan

Tujuan Pendidikan Menengah Kejuruan adalah meningkatkan kecerdasan pengetahuan, kepribadian, akhlak mulia, serta ketrmpilan dan hidup mandiri dan mengikuti pendidikan lebih lanjut sesuai dengan kejuruannya.

B.      Visi dan Misi SMK Negeri 4 Ambon

1.      Visi

Menjadikan siswa ungulan, kreatif, kompetitif, dan inovatif  pada program keahlian, serta bersaing di tingkat Nasional maupun tingkat Internasional.

2.       Misi

ü  Meningkatkan menajemen kelembagaan sesuai dengan standar Nasional maupun Internasional

ü  Meningkatkan kualitas pembelajaran Normatif, adaptif dan produktif

ü  Meningkatkan hubungan kerja sama dengan Du (Dunia Usaha) / DI (Dunia Industri)

ü  Meningkatkan kualitas pendidikan dan tenaga kependidikan baik internal maupun eksternal

C.      Tujauan  SMK  Negeri  4  Ambon

1.      Mempersiapkan peserta  didik agar menjadi manusia produktif mauoun bekerja mandiri, mengisi lowongan pekerjaan yang ada di DU/DI  sebagai tenaga kerja tingkat menengah sesuai dengan kompetensi keahlian pilihannya.

2.      Membekali peserta didik agar mampu memilih karier, ulet dan gigih dalam berkompetensi, beradaptasi di lingkungan kerja dan mengembangkan sikap professional dalam bidfang keahlian yang diterima.

D.     Standar   Kompetensi  Lulusan  SMK

1.      Berprilaku sesuai dengan ajaran agama yang dianut sesuai dengan perkembangan remaja

2.      Mengembangkan diri secara optimal dengan memanfaatkan kermampuan diri serta memperbaiki kekurangannya

3.      Menunjukan sikap percaya diri dan bertanggung jawab atas perilaku, perbuatan dan pekerjaannya

4.      Berpartisipasi dalam penegakan aturan-aturan social

5.      Menghargai keberagaman agama, bangsa, suku, ras dan golongan social ekonomi dalam lingkup global.

BAB  III

STRUKTUR  MUATAN  KTSP

Struktur  Muatan  KTSP

1.       

DAFTAR  ISI

KATA  PENGANTAR  ………………………………………………………………………………………………………       i

DAFTAR  ISI  …………………………………………………………………………………………………………………        ii

BAB  I  PENDAHULUAN  ………………………………………………………………………………………………..       1

A.      Latar  Belakang

B.      Tujuan   Pengembangan  KTSP

C.      Prinsip Pengembangan  KTSP

BAB  II  TUJUAN  PENDIDIKAN MENENGAH

A.      Tujuan  Pendidikan Menengah

B.      Fisi dan Misi SMK Negeri  4  Ambon

C.      Tujuan  SMK  Negeri  4 Ambon

D.     Standar  Kompetensi  lulusan  SMK

BAB  III  STRUKTUR  MUATAN  KTSP

Daftar  Lampiran  Berkas  Kelengkapan  KBM

1.      Distribusi  Waktu

2.      Kalender  Pendidikan

3.      Jadwal  Kegiatan  Guru

4.      Analisa  Pembagian  Jam KTSP

5.      Silabus

6.      RPP

7.      Program Pengajaran (Program  Semester)

8.      Agenda  Guru

9.      Daya  Serap

10.  Daftar  Catatan  dan Hambatan Siswa

11.  Kisi – kisi  Soal

12.  Analisis  Tingkat  Kesukaran dan Daya Pembeda

13.  Kriteria  Ketuntasan  Minimal  (KKM)

14.  Analisis  hasil  belajar  Pengayaan  dan Perbaikan

15.  Absensi  dan  Daftar  Nilai  Siswa

INKULTURASI IS LITURGI'S MUSIC AT INDONESIAN PASCA KONSILI VATIKAN II.

PAPER

Proposed to Ushuluddin's Faculty

Country Islam institute Sunan Kalijaga Yogyakarta

For meeting a portion Requisite Gets To Exhibit

Theologi's master Islam in

Ushuluddin's knowledge

By:

RIKALUFI IS WARDHANI'S APOCALYPSE

96522172

RELIGION COMPARE MAJORS

USHULUDDIN'S FACULTY

COUNTRY ISLAM INSTITUTE

SUNAN KALIJAGA

YOGYAKARTA

2003

ABSTRACTEDLY

This paper gets title “Inkulturasi is Liturgi's Music at Indonesian Pasca Konsili Vatikan II. ”.  Inkulturasi is liturgi's music at Indonesian constitutes a kreasi new in develop liturgi's music by develops culture and local custom as affecting as of Konsili Vatikan's document II..

To the effect of observational it is subject to be mengungkap Konsili Vatikan's document influence II. to liturgi's music developing at Indonesian, understand exhaustively its happening process inkulturasi liturgi's music at Indonesian and knows form of liturgi's music at Indonesian. To reach to the effect that researcher utilizes to methodic documentation by utilizes maximal ala, researching relevant library material with about problem which is analyzed. Data at o and dianalisis with tech descriptive analytic which is method which is utilized to a collected data then is arranged, worded and hereafter dianalisis. To menganalisis data is utilized way bethinks inductive, study that bases thinking that gets special character then be concluded deep activity which generically.

Via that observational method can describe this research result, which is:  First,  mark sense distinctive base; before Konsili Vatikan II. inkulturasi is done bases permit from keuskupan Rome, and Konsili Vatikan's afters II. inkulturasi's effort liturgi's music is laboured with gets guidance on konsili Vatikan's document II..  Both of,  one that as constraint in processes inkulturasi liturgi's music at Indonesian is cultural tribal variety different one.  Third,  if in advance in liturgi's music just known by Gregorian's music and Polifoni Is clean, but konsili Vatikan's afters II. kreasi's amends new in liturgi's music. As it were that available in Faith Eulogy songbook.

For moslem people, benefit of this research is expand discourse and science about music liturgi to been made material for treasury development effort Islami's music, as how be formed a special body that handle that music development.

I. CHAPTER

FOREWORD

Problem background

Christian church is begun as a Jewish sect. ¹  Dance and paean as hymn constitutes one of part of recognised Jew observance everyone that wonted visit Allah Couplet at Yerussalem on first century while Christian sect starts amends. ²

Church music experiences developing history that long. Until with churches music tenth century equal music Gregorian, ³  one that is kept on word-of-mouth and improvisation. Since haven't available music notation, therefore song Gregorian  unegual amends on region that variably. Reputed music as something that not necessarily been looked after its uniformity, but as elemental as functional one was answered the purpose by people that attending deep observance.

With its amends music polifon  since 11th century, most composes various shaped special new music for chorus, so over and above liturgi's music, come into the world usable interval song in liturgi. Music profan one that quality being divorced from keagamaan's music new since 17th century. Pius x ⁴  in Motu Proprio - the Tra Le Sollectudine year 1903 differentiates among Church Musics and Music Sacra.  The last one equalised with Gregorian's music as styled as ideal and clean. According to pattern this is all music in church ought to being updated.

No music which can call Kristiani's observance music. Song Gregorian is Greece culture song inheritance, hymn St. Ambrosius is profan's song processing 4th centuries of European South-east. So too Middle Age anthem constitute culture processing(= quality song) of 14th century until with 18th century. So that all this time reputed as typical as gerejani as khidmad, peace, real clean is trifling person attitude that gets observance, are not trifling type / form / music character. But Christian person attitude others terminological epoch and place, therefore music liturgi also different terminological epoch and place. ⁵

In catholic church scope, well-nigh observance equals liturgi, one that often been called churches official observance. Church observance terminology emphasizes on external cult aspect from liturgi, namely ceremony and u another divine, one that did by God's people as Body Of Jesus Christ Mystic that arranged by hierarchical ala namely in an official way and before inviolate people common The Infinite, thank and declare for faith to her. ⁶

In life Christian person knockabout doesn't perform as churchman but, if they congregate on behalf its mean Christ as christendom they form and act as church, as organ of Christ. All activity profan (secular) all day-to-day life to be taken in to hadapan God, purified and diperteguh in observance. Therefore observance, notably eucharistic constitute clearest faith expression as basic and top all Allah activity (bdk g 11 and 26). In extensive mean, observance ranges divine form miscellaneous with, e.g. the word observance, observance seven Jesus the word at Crucify, praise etcetera. So gets to be said that observance constitutes an unity, all element which as music and also is not music be concerned by the one with another one. Therefore Kristiani's observance music can't divorce from person place congregates, of development church (architecture), of fine arts, language, gesture, music and dance.

In Konsili Vatikan II. (1963 - 1965), direlativasi's Church Music mean by says Church Music presumably get clean becoming hand in glove relationship it with observance ceremony. Music blessing, invocation expression is made more visceral, taste one heart of people gets to be manured, and clean ceremony are enriched with greater solemn taste. ⁷

Church music can be differentiated as two types:

1. Liturgi's music or Observance Music

Liturgi is top and Kristiani's lifeblood. ⁸ Be liturgi's music constitutes an a part functional deep liturgi (L 112), since given observance parts obviously did by singings. liturgi's music particularly range people song so gets active role in observance. To the effect that glorious strove for a special attitude singing time and gets music. Not copy which make music as sacred, but heart of men that is revealed in music.

2. Spiritual song

Spiritual song is engaged christian religion, but is created for keagamaan's needs besides observance, e.g. as song of spiritual amusement or delicate song is sung deep meet or can also as song of study in sunday school.

Even limitation it not so clear, among liturgi's music and spritual song have aim that variably. Therefore advisable avoided by Church Music terminology using up and used by Liturgi's Music and Spritual Song. Form vocalic music and instrumental one constitutes liturgi Kristiani's interior that is so-called liturgi Kristiani's music or Kristiani's observance music.

Innocent music in its facet that concern liturgi's update, was regarded by accurate by Konsili Ecumenical Vatikan second. Konsili has worded music role in Godlike ceremonies, have issued principles and law hits it in Constitution about liturgi and even have provided one special chapter of that constitution to work through music problem. ⁹

In liturgi, people devouting to sit main role. Therefore liturgi's music ought to serves an office on people behalf and everlastingly push active ala people participation in liturgi's celebration. It pettily that liturgi's music gets indigent in conection with character massal of people, on the contrary has progressively quality and get image. Therefore potency among people needs to be involved, and existing initiative needs to be noticed. ¹⁰

Liturgi's music Church on each place which variably experiences inkulturasi with local culture. Since Konsili Vatikan II., with clear in fomentations resounding catholic churches that church exposes oneself and accept local culture elements in as much as that culture elements not prinsipiil's ala leaves behind by Catholic dogma. ¹¹  That confidence available affinity among religion and culture has made compulsory catholic church for faithful listen culture whisper. Wider another liabilities is subject to be merefleksikan and contemplates process be formed by it interaction culturizes man. That liabilities constitute first phase of processes inkulturasi. This inkulturasi's process can see as trip of the one culture wend another culture. Religion and also Kristianitas finally is part of man culture. ¹²  To the effect inkulturasi liturgi is liturgi's cast or celebration church in procedure and all the way atmosphere in harmony with taste goal culturizes people that gets observance. With simpler word, to the effect inkulturasi it that people that follow wonder-stricken observance by song, invocation, device or decoration, and ceremony, since all lovely terminological estimation which is used in life knockabout culture.

Basic from inkulturasi is mark sense that trust even culture indirectly (over man) created by God, therefore it well marks sense. And that consciousness imperfect culture because available also stray man possible, (e.g.: God were viewed as by God that remained deep treed, custom indoors, one that charges sesaji, one that anger if a decision it is not is accomplished). Therefore inkulturasi just maybe via atonement process (there is culture element that shall be left to be able to encounter with God). ¹³

Felt by current society music trend that gets reputed sekularistis needs road map already be patternized deep inkulturasi musics in liturgi to build liturgi's music that gets wight. By realises that liturgi's music constitutes a part functional deep liturgi, therefore church looks on to need be arranged institute which handle liturgi's music problem well that gets international scale, national, and also smaller scale again.

Universa Laus is one international agency for church music. Instituted on year 1966 at Europe on initiative of Catholic Church figure with Christian Church anothering to studies and work through music problem in liturgi. Effort jetty dot this lays in liturgi's update from Konsili Vatikan II.. Therefore historical problem, teologis, pastoral, and technical about music in observance constitutes subject in working meeting and arranged congress by Universa Laus as almost each year. Year 1980 job result of last years to be formulated with deep opus writes as grapple for staged next. Even available difference between states in church music tradition and music culture, but perceived by that church music essence same. ¹⁴

Indonesia has alone music tradition that big its mean in life gets religion and societal. Therefore properly liturgi's music ditumbuhkembangkan Indonesian via processes inkulturasi so people was helped to find its id as people that devout Indonesian with its culture background typical one. (bdk KL 119). ¹⁵ That culture cans be inkulturasi's source liturgi's music therefore traditional music shall live. For moribund traditional music have as been reanimated profan's custom music as tradition that typical one constitutes floor for formative succeeding (inkulturasi).

Even church gets universal character, but de facto  local bishop with its people which present church manifestly. Therefore bishop father with liturginya's commission is in control of life and liturgi's music developing in territorial keuskupan that pertinent. In this case collaboration with keuskupan any other straightforward and also under Musics sexy coordination Liturgi KWI's Commission so encouraged. So too cooperative with gallery or Liturgi's Music Center in keuskupan own or another keuskupan.

Problem formula

With see problem background that writer describes upon, therefore in this paper writing gets to be formulated many problems which is:

1. How is Konsili Vatikan's influence II. (Constitution Sacrosanctum Concilium) to Liturgi's Music developing at Indonesian?
2. How processes inkulturasi's happening Liturgi's Music at Indonesian?
3. How forms inkulturasi Liturgi's Music at Indonesian?

To the effect Research

In this paper writing available many aim that want writer to reach, adjusted by background and existing problem formula. There is aim even that among those is:

4. To mengungkap Konsili Vatikan's influence II. to Liturgi's Music developing at Indonesian.
5. For over understands exhaustively its happening process inkulturasi liturgi's music at Indonesian.
6. To know form from inkulturasi Liturgi's Music at Indonesian.
7. Specially intent observational it divides Islam people be expand discourse and science about music liturgi to been made material for treasury development effort Islami's music, as be formed a special body that handle that music development. 

Review Library

Before mengkaji is libraries that writer uses in research, writer need to reveal that this research constitute development of a variety research and writing about music liturgi church as sectioned as functional. Writer tries to reveal liturgi's music situation at Indonesian after Konsili Vatikan II. one experiences inkulturasi culture with its variety. Indirectly writer also cast liturgi's music difference before and after Konsili Vatikan II. in particular at Indonesia.

As study of library can be revealed in here, amongst those: book gets title Domicile Song in Liturgi  by Karl Edmund Prier SJ PML Yogyakarta's derivative, year 1987. In this book Prier work through structure of an observance, each part of event in an observance ceremony has to alone mean so necessary song would be convenient. E.g., song would be convenient for uncovering is song get couplet.

Then directorium About Liturgi's Music Development at Indonesian , bind books Musics sexy derivative Liturgi KWI's Commission, Yogyakarta, 1989 it work through music development efforts liturgi who involve Liturgi's Music commission.  Instruction About Music in Liturgi Arnoldus's derivative, Ende, 1967 speak konsili's decisions that concern update in innocent music and subject norm for constitution performing about music liturgi. This instruction arranged by Gabriel Manek SVD. Karl Edmund Prier SJ in binds books that published by PML Yogyakarta year 1986,  Inkulturasi is Liturgi's Song  inkulturasi's problem speaking and Indonesianisasi Is liturgi's music. Then in Guidance For Song and Music in Universa Laus's Document Observance (Comment and translation)  PML Yogyakarta's derivative, year 1987, Prier tries to comment and menterjemahkan. This book is meaty guidance for staged next, that substantially church music is as despite exist distinctive deep church music tradition and music culture.

Then book Reporting / Deliberation Result Formula Liturgi and Liturgi's Music Jakarta archdiocese,  this book special works through inkulturasi liturgi's music at Jakarta archdiocese, published at Jakarta, by Liturgi KAJ's Committee year 1983. The last one book Inkulturasi is Catholic Religion In Javanese culture  by JB. Days kustanto SJ. This book works through to hit culture Java who can keep its personality and its input effort religion outgrows namely Catholic pass through culture entrance.

Other than libraries upon following paper title that needs writer to name berkenaan with that problem, amongst those: M. Khanan Muchtar in its paper Catholic conception and Protestant About Liturgi.  It tries to compare among concept liturgi in Catholic and Protestant. Then Inkulturasi is Catholic Church to Javanese Mystic Aspect  by Siti Romlah.  Liturgi in Pentecost Church by Siti Muslihah. Evayani Fadhillah in its paper Liturgi in Konsili Vatikan II..  And Royani Wibowo the latest in paper that gets title Karawitan's accompaniment in Church (Studi to Inkulturasi in Liturgi),  this paper works through to hit savvy karawitan, its component and karawitan at environmental church.

E .  Observational method

In each research must be not untrammeled of method. Absolute method marks sense since constitute that effort research can performed with every consideration so get result that satisfies. In this paper, method that is utilized is:

1. Data Collecting method. In gather this data writer utilizes to methodic documentation . Method documents to constitute data collecting method by use of data source that as document, in this case is penelusuran up relevant library with theme constitutes to clear a root that mandatory being sailed through utilised come within data which komprehensif. It adjusted by paper research character this one can be grouped into historical observational type.
2. Approaching. In this paper, approaching that writer utilizes is historical approaching. Approaching historicaling to constitute effort to research derivation and IDE IDE growth religion via given periods of formative histories and also constitute efforts to estimate force role that really regards religion. ¹⁶  In this case effort research history and liturgi's music developing at Indonesian with affecting sort of local culture variety so composed by inkulturasi.
3. Analisis's method Data. Data at o and dianalisis with tech descriptive analytic which is method which is utilized to collected data something then is arranged, worded and hereafter dianalisis. ¹⁷  According to this research for menganalisis acquired data of yielding observational writer utilizes to make the point bethinks inductive, which is study which up on thinking which gets special character for then concluded deep activity which generically. ¹⁸

6. Sistematika is Study

In this paper writer plots to make sistematika study as follows:

First chapter as Advance As covers: Problem background, Problem formula, To the effect Research, Review Library, Observational method, and Sistematika Is Study.

Chapter second works through in around Church Music trip that covers: History and Liturgi's Music developing Church before Update Term, Liturgi's Music and Song task before Konsili Vatikan II., and Periodisasi Is Liturgi's Music Update in Catholic Church.

Drd chapter is hit Inkulturasi Liturgi's Music that covers: Inkulturasi's savvy, Inkulturasi Divides Catholic Church, and requirement On Kontekstualisasi Liturgi's Music, and Liturgi's Music as Lingual As and Mode For Bible and Culture meets.

Chapter fourth hit Liturgi's Music at Indonesian consisting of: History and Liturgi's Music developing at Indonesian before Konsili Vatikan II., Liturgi's music at Indonesian After Konsili Vatikan II. and Inkulturasi's Form Liturgi's Music at Indonesian.

Chapter to five is Closing meaty conclusions and tips. 

CHAPTER II.

IN AROUND LITURGI'S MUSIC TRIP

1. History and Liturgi's Music developing Church before Update Term

As it were have columnist figures previously, liturgi's music experience developing history that long. This following constitute description laconicing to hit liturgi's music history since primordial christianity epoch until draws near update term.

1. Premiere church music

Music constitutes a part life deep primal social secular person Hebrew. They don't differentiate among spiritual life and secular. Their music life grows from men soul that its knockabout life managed by their religion. According to Jewish writing collection that written by bible writing afters, Salomo's king gets married with dowered Egyptian woman as 1000 music equipments. ¹⁹ Christian religion background in its relationship with main source which is jewish religion becomes startup to speak liturgi's sources (observance manner) gerejawi's christian and music.

“After sings paean, go Jesus and students it go to Olive hills.” So Matius's Bible news 26:30 and Markus 14:26 about last supper which arranged by Jesuses and its student. This banquet basically gets Jewish Paschal banquet form so end with Hallel's song namely Hymns 114 until 118. This is startup of Christian observance music that is drawned out in Premiere church observance. ²⁰

In Antic Greece myth music is looked on as creature of davit or demigod. There is that assumption music has fantastic power that can perfect body and man soul, and making your ’ jizat in universalizes natural. As well as in Hebrew tradition, in Antic Greece tradition even music can't divorce from keagamaan's ceremonies, e.g. bagpipe Iyra relates with flow Apollo ,  Aulos  get bearing with bagpipe dionysus. ²¹ In Hebrew music, poem and song is said more essential of its music and its more song is emphasized to follow fairly heave of poem and accent between that word. Christian generation originally utilize long time Jew songs for their repression.

Its mean, indigenous Premiere church music shaped observance song as it were is done in sinagoge Jew. Since haven't available music notation on that epoch, this song improvisations passing amends a solis. At the time draw near Long Time agreement final, entering Christ epoch, the jews lets ala amends repression free hand. In New indentured term, apostles Jesus keeps on wont as jew by follow observance at Innocent Couplet at Yerussalem / Sinagoge. Longs Time indentured psalter which do ever be sung deep Jewish observance and new songs that praise Jesus in shaped as hymn becomes liturgi's basic that is sung in early Christian observance. Church music Premiering to drawn out Jewish observance song tradition and also music tradition of Palestinian and its vicinity.

2. Church Music term Look For its Id Until developing Period On Century x

Begin churches i. century be scattered until south Europe area. At inheritances effloresce Rome Premiere church. Since century IV. besides solis available too schola . ²² So most makes way for song is richer will art. At Milano, Effloresce North italian shaped new song that pioneered by St. Ambrosius (333 - 397). In martial against Arian's nation (386), it often being boxed in deep church with its people. Then it coaches them easy song are sung together. The first,  hymn  or eulogy  namely song gets couplet with new poem is not of clean book. Secondly is antiphon's song, refren that at rebetween Hymn sentences. ²³

Hymn music genre comes from Syria who is taken in goes to Western Europe on century IV., then developed by St. Ambrosius accords culture and local the need. A current adjusted form recognised with inkulturasi's terminology. Happening subject developing Rome. Since century IV. observance celebration is celebrated in an official way in basilica church, no longer cover-up in catacomb. Until century VI lush effloresce observance song, Gregorius's pope Grand (590 - 604) perceive to need manages it, then comes into the world song Gregorian . This song continually effloresce, as tradition and middle age church music backbone. At tone Northern Europes melisma  one that loaded length with new poem,  tropus  and sekuensi . ²⁴

Until century x effloresce music as tradition of oral as jemaat's music, sung in Latin language and apprehended by all people.

3. Church music In Middle Age Term (1000 - 1400)

About year 1000 changed happenings in church music. At notations developed Europe music, for need didactic . Song Gregorian  viewed as by obligatory inheritance, so becomes daring komponis as to establish music Polifon  one that gilt-edged. Therefore comes into the world new look church music,  Organum . On XXII century at Paris, Prancis is school amends Notre is Dame  with tall ritmik art, then with motetus  and conductus  one that included Ars Antiqua.  On 14th century to be utilized ars Nova as notation new. ²⁵

That time, church music becomes music klerikal , ²⁶  jemaat becomes passive because singer and chorus just exist at seminary and abbey. It makes church again and again issue regulation about observance music, but fact in conflict with that expected. Therefore since Priests XIII century have to utter all liturgi's text, even that song took by chorus.

Church music is seen in addition, decoration, not integral part of observance. So open end gap among official liturgi and church music. On year 1300 terminology appearances Musica Ecclesiastica  for song Gregorian , and Musica Mensurata  for song Polifon . Concluded by church music developing becomes art Polifon  are yielding formative church at Northern Europe and effect European music culture confrontation south( Gregorian ) one that monodis  (one voice, organum).

Church via processes inkulturasi to advance artistry, but at any other church music maturation party wreak conflict with chairman of church: church gets judicial formality, bearing out ritus of on faith in observance conduct.

4. Renesans's church music (1400 - 1600)

As compared to Middle Age music, Renesans's music more manusiawi. It appears in vocalic rounded sound Renesans, voice that effloresce linear in Polifon  as harmonious. komponis no longer expatiate voice by piece but composition concept entire. Its melody is simplified and adorned by prescribed abatamen breathing human. Ritmik Gothic  one that elaborate being substituted by life rhythm that is adrift and modestly. Requisite vocalic music cast loading and sensory one most loads deep poem.

Up to century XV at beginning Belgian to be formed music centers, komponis's place distinguishing does work at one's request prince and also Bishop, at palace and particular cathedral formed by choruses, orchestra, and creative activity that adequately lush. Generally komponis that not remained makes a abode, but berkeliling, so at musics genre effloresce Europe new, Renesans's music. This music is henpecked shaped motet , a music form that gets jetty of poem and contemplate it in alae cut dry runs Polifon.  Over and above church music, music art amends Profan ²⁷ at Italian (Madrigal) with tall quality.

Drawing near Konsili Trente (1545 - 1563) available two church music flows: the first, want to dam and protects church music tradition (namely song Gregorian  and music Polifon  long time classic), and the second one, want musics formative studying new Madrigal art with look for benefit for church music. ²⁸

In Konsili Trente, poem processing in composition motet  looked on over free comprises wont solis  using decoration, affix in takes song, frivolous attitude organis who use amusement music as interval. About difference both of flow, Konsili just charges that poem in church music can be a prey to and song Profan  avoided in observance. Song Gregorian  that was petted intensively preferably at seminaries. But decision performing is turned over on local Bishop.

This on a basic local church music center amendses, one that coloured by local tradition and stamped by given music expert. G. P. da Palestrina (Church music rescuer Polifon ) successful creates music genre Polifon  one that so balance by develops tech Polifon  of Dutch school and develops it with sound beautiful typical Italian. Besides available other music expert as: G. Allegri is with Miserere , W. A. Mozart, and Orlando De Lasso what does menyumbangkan 60 misa and 1200 motet  for church music.

About year 1600 sizable changed happening, music monodi  with basso continuo  and with chord replace musics capital  and polifon.  This was developed at Italian, Germany in catholic church and also Protestant. Music genre monodi  with accompaniment basso continuo  just last temporary until century middling XVII then substituted by new form as Orgelmesse ,  Versetti  (short songs for reed organ to replace solis  in takes sentence Magnificat  and Hymn ). Besides appearance also church music which instrumental purification as Sonata church,  Epistelsonate ,  elevation  etc.. ²⁹

Catholic church music on its reality gets traditional character, for Adven's term observance and Prapaskah, sound forbidden church instrumental gay so utilized by gerejawi's typical music as Gregorian  and Polifoni a capella  Palestrina's style.

5. Barok's style (1600 - 1750)

Particularly on XVII century, in absolutism system, church experiences external developing with luxurious architecture. So too with liturgi's celebration and church music. It is backgrounded, the first since prestige to get achievement or competitor among palace, secondly because martial situation up to 40 years and tastes not safe in life knockabout push society to look for grapples on God. Therefore doesn't marvel church music developing becomes gay, don't even rare intemperate fairly one.

Chairman of catholic church tries to restrain church music developing by bears out that poem liturgi may not be reduced or is revamped, prohibition be used bagpipe especially flute and piano because stamped as music of theatre, bagpipe type prohibition up to prapaskah. But all order it gets regional character. Pope mandate about church music does ever be led to keuskupan Rome. Princes Barok sees church music in their palace as swasta's business, and since canon law and civil law is came to pieces, therefore church music managed by secular institution. 

6. Wina's Classic epoch

Churches music big opus on XVIII century and Wina's classical music largely constitute opus from Joseph Haydn, W. A. Mozart, and L. Beethoven's Van. Over and above drawn out Barok's tradition with offbeat orchestra which kitsch, in this music is seeming idealistical classic Wina as to establish music which quality as high as maybe, so technical grapple, formal, and esthetic of music profan  classic is taken over in church music.

Classic epoch church music reflects an optimism and extensive view. Church music Mozart not in contrast to music profan  as operatic as Mozart's creature. As well as another classic artist, Haydn and Mozart serves an office on Allah with glad heart. Haydn says: “Since Allah gives to me heart something that jolly, therefore presumably It will pass over daku, if I serve an office to her with glad heart ”. ³⁰

XVIII century man perceives one by world vicinity the base humanism as it were chastened by filosof on XVIII century (Kant, Hegel, Schopenhauer, etcetera). On this epoch faith so openended for world, so lifting all element who can show this openended attitude into church music.

7. Romantik's century

On romantik's century church music attitude get criticism because is assessed over glad and exposed. In the early century XIX, E. YR. A. Hoffman, a man of letters Germanicing to lead liturgi's music church becomes innocent music art church( musica sacra ) one that intent lift heart of men directing to God pass through simple roots, purification, with beautiful sound. In century catholic church music XIX available three flows: ³¹

1. Flow that drawn out classic epoch tradition Wina. Wina's classic aspiration drawned out by a number komponis as C.M. Von is Weber, Franz Schubert, Kaspar Ett, and preferably A. Bruckner. komponis works independent ala, therefore composition which they create to constitute cetusan person faith or bases order. Not compositions prescriptive observance them, but composition determines observance character via styled composition, so church music gets also dipentaskan in concert building as it were divine service Solemnes  Beethoven's opus.
2. Movement Cecilianisme .  Cecilianisme  are an organisational in German's catholic church, one that found on year 1868 by a priests, F.X. Witt to unite catholic church choir choir. Witt takes over aspiration musica sacra  from E.T. Hoffmann. This to the effect began by song refreshing Gregorian  and updates music Polifon  Palestrina's style. But expert Cecilianisme in reconditioned song Gregorian  get jetty on Editio Medicaea  of year 1614 / 1615, meanwhile monks from Solemnes, France by investigates copies of Middle Ages. Therefore happens under the way emulation between they, this dispute solved by XIII Leo Pope on year 1901 by corrects Solemnes's versions. K.G. Fellerer assesses restaurasi, return goes to historical form as ideal for observances deep music, and music Gregorian  and Polifoni  antic classic to be viewed as ideal church music.
3. Music flow Devosional . ³² In Romantik's term arises a new devotion (subyektif and sentimental). But this devotion not gets estuary in unmitigated liturgi but frequent stray deep moral and mistisme. Besides Cecilianisme with its binding on music Polifon a capella , individualism has begat church music experiences a stagnation (jam, don't make progress) a new one settling on century XX, begun while update by Pius X. music temporary trivial (gimcracks) and sentimental is amends flourishes with quick, be unmitigated religious music to be created church beyond.

2. Liturgi's Music and Song task before Konsili Vatikan II.

Music and song task in liturgi before and after Konsili Vatikan II., experience distinctive. It happens since Konsili Vatikan II. more give special position for liturgi's music and song in one liturgi's celebration.

Previously, before Konsili Vatikan II., music and song task in liturgi is that of background for liturgi's conduct, as offbeat as, interval e.g. at the time busy priest at panti priest, therefore choral or people fills that time with song. ³³  After Konsili Vatikan II., music and song in liturgi constitutes liturgi that alone, namely sectioned absolute and integral liturgi glory. So gets to be said by clean music no longer as decoration, with be held role or its task in a conduct and liturgical celebration for example: ³⁴

1. In innocent book mission
2. In expression keeps the faith
3. In benediction
4. In application invocation
5. And to clarify sacrament conduct

3. Periodisasi is Liturgi's Music Update in Catholic Church

Musics reconditioned term liturgi church happens in three phases. This update happening on century XX reconditioned afters on term Cecilianisme is not is reached.

1. Update by Pius x

On year 1903 Pius's Popes x issues a documents about that church music clean, quality, and gets universal character. According to this ideal Pope Is executed special ala in song Gregorian , and in classy church music Polifon  classic. But may also be created origin modern church music its sound in contrast to music Profan . Since church music performs task klerikal , therefore women may not come on singing in it. Bagpipe, but organ just may be used by special permit. Even rather gets restriktif's character (draw the line) but this document as a grapple for formative succeeding.

2. Liturgi's movement Until Draws Near Konsili Vatikan II.

Since year 1920 an at Germanic available effort to start up liturgi as liturgi jemaat, understandable and is followed all people. Therefore beavered by native language for observance. An effort starts up liturgi by way of inkulturasi this for example looked for by road for mengkaitkan melody Gregorian  with poem in german language. Besides is taken over a number anthem( Koral,  song gets couplet) of Protestant Church. This liturgi's movement direct gets estuary in Konsili Vatikan II..

3. Liturgi's Music update Church by Konsili Vatikan II.

3.1. Savvy Hits Konsili Vatikan II.

Konsili comes from to say latin Concilium  one that unified matter, appointment, conference. At Roman Catholic Church environment means conference official church especially bishops, with aim works through various kegerejaan's problem to church society development and looks for decision with. Differentiated among ecumenical Konsili or konsili generically which represent overall church and Konsili Is special that covers a given church region. ³⁵

Konsili Vatikan II. constitutes ecumenical Konsili 21st one or the latest in church history until now. Konsili this was arranged among date 11th October 1962 until with date 8th December 1965, in four conference period times which is: 11th October until 8th December 1962, 29th September until 4th December 1963, 14th September until 21st November 1964, and 14th September until 8th December 1965. Konsili this was presented by more a lot of bishop was compared with by konsili previous. Total resulting document more a lot of and impact on affecting catholic church life is even greater of scene whichever after reform epoch on century XVI. ³⁶

3.2. Catholic Church view About Music liturgi

Konsili Vatikan II. one is begun on the fifteenth 11th October 1962 and is closed on the fifteenth 7 and 8th December 1965 results 16 official documents. That official document consisting of 4 constitutions, 9 decrees, and 3 declarations. ³⁷  Either one constitution fourth that constitute idiil's base divides liturgi's constitution per se it exists one special chapter that works through about music liturgi.

Konsili Vatikan II. have revamped catholic church view about music liturgi. liturgi's music church on Konsili Vatikan's period II. no longer viewed as by liturgi's decoration, music and that song is alone constitutes liturgi, matter in liturgi's celebration unfit for use again rampant spiritual song, but, shall one song can act out observance. liturgi's song carry is not again task Klerikal  but jemaat's exhaustive task, even a portion handled by church choir. In Konsili No.112's decision, named about liturgi's music dignity, one that more or less its content names that: Universe church music tradition constitute wealth that don't terperikan its point, more bright of another art expressions, particularly because bonded clean song on word constitutes a part liturgi gay one is of important or integral. ³⁸  Named too that liturgi's activity gets to form that more lightsome, if ofisi God sang by presented clean servant and followed by active ala peoples. ³⁹  Therefore music liturgi gets clean, if gets hand in glove relationship it with observance ceremony, entah by reveals invocation invocation on a more resounding, entah by manures heart unity, entah by enriches clean ceremony with more hilarity animate. Church also agrees all kind artistry which unmitigated, one that have characters according to stipubting liturgi, and concedes its purpose in observance to God. ⁴⁰

3.3. Konsili Vatikan's influence II. For Liturgi's Music life Church

As incident as, Konsili has monstrous influence. In church memory, Konsili constitutes first performing experience Kolegial gerejawi's supreme authority. Church earlier one often pride its character unchanged regular, shall trip evaluation self that visceral and posed critical to her. Attitude and church strategy is looked backward and is dared deep bright Bible and deep confrontation with requirements the present day. This phenomena is extended on pasca Konsili's term. Changing one stands out to happen on liturgi and liturgi's music as part of liturgi also experiences changing that.

Nevermore Latin language absolute for liturgi, therefore opened by door to be created its church music treasury in native language. Inkultsssurasi in liturgi's music gets executed steady with be attached methods about development and liturgi's music update. So gets to be said that Konsili Vatikan II. is not just as crossbar of history, but has also been become aim guidance, basic for developmental thinking, movement and update action, rejuvenation, and stabilization that really useful.

3.4. Inkulturasi as Effort Of Liturgi's Music Update

Inkulturasi in liturgi's music catholic church for that matter have available far before Konsili Vatikan II.. It can be seen deep formative liturgi's music church. On each Catholic religion broadcast this, liturgi berinkulturasi's music with religion place culture this beginning drive in its root. So gets to be said that inkulturasi liturgi's music have available since church comes into the world, from the beginning primordial christianity that adapts with Jewish observance, but really church has once experience inkulturasi's jam, her close church. Until then Konsili Vatikan's happening II., via this is resounding inkulturasi's back.

Inkulturasi is liturgi's music really gets bearing hand in glove with pervading mission regions Catholic religions. Inkulturasi is liturgi's music with local culture really help mission process. Church also realises that nations especially at mission region have alone music tradition that acts out is of important deep life get religion and societal. Therefore, specially Konsili Vatikan II. have opened door to accept too traditional music wealth nation as it were is revealed deep liturgi's constitutions no. 119, that music ought to get appreciation righteously and place that properly, well in form their religious attitude, and also in adjust observance with their conduct character. ⁴¹  In bounds already being established by local church leads in charge and deserved merinci this fitting, including church music and artistry, origin corresponds to constitution basic methods liturgi. ⁴²

Inkulturasi is liturgi's music besides intent develop church music treasury, also aims that church doesn't be left, so gets to be said by inkulturasi is a momen in processes church to render her manifestly.

III. CHAPTER

INKULTURASI IS LITURGI'S MUSIC

1. Inkulturasi's savvy

inkulturasi's terminology now was really prevalent being used. But just after, according to Jean Yves Calves this inkulturasi's terminology first time was used by person on year 1974. One word with new mean that haven't a lot of recognised its meaning. Mean nonetheless that contained at turns back that inkulturasi's word is not such. ⁴³

In extensive and common mean, inkulturasi is a sort fitting and adaptation to society, people group, wont, language, and ordinary behaviour available at one particular place. There is author which prefers to utilize terminology enkulturasi  than inkulturasi , prefik in  in english language can mean negative, as e.g. in word incult.  In indonesian, konotasi is that negative not feels and inkulturasi's terminology was prevalent being used. ⁴⁴

Inkulturasi usually aims on kontektualisasi or pempribumian. Kontekstualisasi is effort place something in the context it, so old stuff, but is interlaced and menyatu with overall as yarn in textile. In this case not only prescriptive culture tradition but situated and condition of social even terminologicals speaking. Kontekstualisasi have available since church originally meets by other the world. As oikumenis's effort exists two kind pattern in kontekstualisasi, which is: ⁴⁵

1. Attitude for receiver church, one that is meant is merelevankan teologis's tussle divides churches at mission region. Receiver church thinks up beforehand things which relevant in place, before its go adjusts with liturgi's pattern ecumenical.
2. Consigner church attitude, one that is meant available that consciousness kontekstualisasi is not as substitute smock without substitutes soul. Receiver church begins to process kontekstualisasi by regards liturgi's pattern ecumenical ala, then of yielding that judgment is tried applies in place. 

2. Inkulturasi Divides Catholic Church
1. Inkulturasi as problem of Immortal in Church Body

inkulturasi's terminology is utilized for the first time in church document on year 1977, which is by bishops at Rome hits katakese. ⁴⁶

Inkulturasi becomes immortal problem in effloresce church

continually because life. ⁴⁷  While are Jesus Christ come into the world, It has arranged inkulturasi that the most basic. The word have become flesh and betwixt stay behind christendom. It has taken form as human as, accepting local language, set local custom, and liturgi is local. ⁴⁸ It empties self to take man face in culture and liturgi is local. Inkulturasi also happens while church come into the world on first whitsuntide deep environmental Palestinians Jewish culture. Helenis's jew acceptance (one that gets greek) and more persons that don't of Jew circle into church by Petrus and Paulus direct evoke problems that partly is engaged culture background.

By some people devout, the difference kultural looking on to concern keagamaan's intrinsic elements, even Petrus and Paulus Is dissent because inkulturasi. Emerging similar problems again every time intemperate churches a culture environments.

Church has once experience rupture. Insufficiently marks sense mutual understanding to constitute one of rupture subject factor among Latin church (Rome) and greek church (Konstantinopel) on 12th century. The difference culture among Rome and Northern Europe on 16th century is not little its role that reform becomes church rupture, for example since overweening Latin color on Roman catholic church. Therefore official church comes on is in control of its divide church on 11th century and 16th as avowed as by Paulus goes to VI. Therefore inkulturasi is heady and chauvinistic  (excessive something) contain a lot of jeopardy.

2. Inkulturasi as gap of church teaching broadcast

Have just old church 200 years, was gotten three christianity form that variably, which is Christian Jew church, Helenis's church, and Latin church at North Africa. Tatkala is christian religion scatters at Greko's the world Roman, happen inkulturasi big, leaving Hebrew language, then a large part Bible writing utilizes greek. Are not just language, even theology reasoning is dug up from local religion wealth. Liturgi is Catholic a lot of dyed by Roman tradition that formerly is heathenish.

Tatkala is amends church goes to to universalize Western, happening too inkulturasi that fundamental. Severally ritual heathenish canonised as Christian ceremony with loading Christian too. E.g., Christmas party is christianised of worship ceremony to the sun, because Christ is solar justice. Even christmas tree using up, previously is idolatrous to adjure life, because Christ is treed unmitigated life. sosio's influence culturizes local be kept all too in conjugal rights procedure. Loyalty to Christ and communio ⁴⁹  hand in glove between that church, so is still secure its unity. Evangelism at Northern Europe, evenless at India and Tiongkok so inhibited by its slowgoing inkulturasi.

3. Inkulturasi in Konsili Vatikan II.

Inkulturasi was begun if someone of environmentally culture whichever accept Godlike greeting corresponds to local culture that dihayatinya. This inkulturasi's process one worthy it happens in line with faith maturation as answer on Godlike apocalypse that contains Jesus Christ incarnation in man himself Jew from Nazaret.

On this epoch spread church, potbound, and well-nigh amends beginning at all culture environment universalizes this. Therefore, all over evoked problem how reveals and menghayati keeps the faith the one and same by that according to nation culture, epoch, or a fixed place. It who makes Konsili Vatikan II. have new concept about church pluralism mean and respect to mankind culture, fitting becomes cynosure in this modern world. Obviously it is not simply even platitude, but aims so faith be really potbound and sinking in one life person individual and society, therefore that faith as much as possible it that menyatu shall with culture so get in harmony with been expressed it.

History also give cogent reason supportive marks sense liturgi's fitting, and apparently unanswerable that fitting constitutes a part that can't divorce from church tradition. ⁵⁰  Idiomatic cultivation keeps the faith may not so radical, until can't be recognized again as idiomatic as same faiths by devout persons of environmental cultures another one. Because, situation such a alienate christendom each other.

4. Culture that diinkulturasi

Konsili Vatikan II. bears out, catholic church doesn't refuse what do good and beneficent on religion. Want familiar's Catholic people and close at hand to religious tradition and local culture, this is one of effort toward inkulturasi.

In each inkulturasi unmitigated available two facets: the first, are facet inkarnatif  or its potbound in given culture, secondly, are facet redemptif  or pertinent culture redemption of negative facets. Each culture have positive elements that water down God's the word acceptance and its expression. But then, in each culture also available elements which block, arising out sin which sink in this all the world. Therefore culture whatever needs to be cleared up, so getting correct gets to reveal Kristiani's faith.

Keep the faith Kristiani that diidentifikasikan may never with one culture totally, even that culture is Hebrew, Greek, or Roman. That faith Catholic regular and exposed on each culture manusiawi. Are not bungling culture get as been adapted inkulturasi's material to been made church tradition interior, just culture that quality and gets high point and one correspond to church teaching just that may be taken.

Inkulturasi and church Catholic character not most comes to pieces mutually. With demikan, faith as answer one of mankind solidarity becomes more reasonable, more universal, more Catholic. So, according to death mystery and Christ evocation, culture elements shall also pass through dead process and renascent. That elements thus as more perfect and takes in devout person heart to Christ. Because, as God man, She is perfect apocalypse, and as human as, She at a swoop answer which out and out on that apocalypse.

5. Catholic church expectation from inkulturasi

Culture constitutes to make the point sees, mengartikan, and forms reality in environmentally historical given. In the short run faith can borrow given culture mediums to render self, but is begun also to form new mediums. Therefore faith gets reseptif's pattern and creative critical to culture whatever. But inkulturasi is not just a only assimilation or culture adaptation only.

Inkulturasi ranges all person life and devout people. This process goes on step by step, can successful can also fail. Success an inkulturasi so necessary for good church developing of kualitatif's spritual facet and also of quantitative developing facet. Inkulturasi is not just essential's of facet church partikular  place processes this happens. This process essential after kekatolikan all church so getting Catholic, in comprehensive mean, expressing alae same faith otentik with different way. Thus, church praises God on a more beautiful with all manusiawi's ability that dikaruniakan God to environmentally culture which variably it. As it were Christ as human as for mengkuduskan and advancing whatever good one in manusiawi's culture whichever inkulturasi's process pass.

Inkulturasi the most urgent now is imbed to keep the faith Kristiani ala no nonsense into culture mundial  (as world as), one that so dyed by knowledge and growing modish technology with quick at the early this 20th century. Although faith will indefensible infinite technology progress again, stress among world view and way bethinks positivistis  at one keagamaan's party and confidence that bases to keep the faith will apocalypse at other side was lost.

But just after, expected by individuality and point a culture environments can help men to find and revealing self as creature that ability most its glorious is praise creators it. But needs to be remembered that inkulturasi is not devotion to long time tradition with religion help, but faith cast in and through culture which currently lives deep society.

3. Requirement On Kontekstualisasi Liturgi's Music

Music is sound or voice that is staffed, since music basically consisting of voice, therefore music constitutes a part integral one of human and that man life is alone. ⁵¹  keeratan is this relationship is looked e.g. in human form gets communication. While excess a song is in term amenity to remember it, since warbling is agreeable activity and having carrying out of spirituality or emotional. ⁵²

Whole and healthy faith always supposes to mark sense two spirituality coherent dimensions and external. Of spirituality flank is accept Allah invitation for living deep partnership with Her and deep society with humanity. Meanwhile external flank is cast keep the faith in external form or visible one, e.g. teaching, invocation, liturgi, ceremony, behaviour, etc.. All that external expression there's only its mean if quite a cast spirituality faith. Two dimension keep the faith to constitute whole integrity.

In Catholic perspective, liturgi's music constitute terminology that is used for in refer to music which concerning with observance manner, well that song, accompaniment, and instrument that is used. It is gone upon in fact that deep activity gets observance, warble everlastingly as part which integral for church. According to Antonius K. Sensibleness an organis at Thomas's Saint Parish, Coconut Two, Depok, aesthetical a celebrations deep song Eucharistic shall be backed up by people togetherness for following singing. For Catholic people always there is singing word for God properly twice constitute of pray. No that forbidden for singing praises God in Misa up to that corresponds to liturgi, and if did by taste full believe, therefore will get grant from above. ⁵³  In music observance constitutes one of Catholic people communication form to its creator, place keeps the faith to be expressed. At other side may not be forgotten, since music is integral part of man, therefore it relates hand in glove with culture. We can begin to see that that music kontekstual it is tied-up on its context, tied-up on place, time, and culture. That context is heterogeneous, one that formative current happening quick deep world electronics, culture that globalistis that spread presto through print shop, film, and tradition, constant culture is adrift while church have alone tradition.

Inkulturasi is music liturgi is one of the ways mengkontekstualisasikan liturgi's music because song and church music needs to be involved deep an interaction process that concerns history, culture, and epoch developing. In inkulturasi's the world, that respondent church posed soft, if needs on the contrary get defeatism earlier. Church needs to study culture environment around that church growing. In good interaction process needful openness to appreciate and accepts something, this alacrity need with consideration been escorted and critical appraisal. Reality what does be released to been accepted or is changed has to be worded profuse so cogent jemaat.

Church shall have teaching about truth in God. If there is praise which insufficiently apprehended by jemaat, therefore jemaat given by explanation about that song poem. Music is not just constitute an aesthetical but also constitute an everlasting training medium. Since, music is an art that wents behind time. Church music can help our to understand mean actually of that music is alone, and giving aesthetical alone for Catholic people ^{1 2} Explanation to jemaat also been realised since observance jemaat is devotion place self, communication place, menghayati's place, and gets communication studying with God and with ekstensial's ala humanity. To that communication available one needs to be sacrified, there is too which needs to be accepted, this prevailing special for liturgi and its song.

Music nevermore viewed as by universal something, but also been realised as music that kontekstual and local. Churches at Asian and also African conscious of that thing, e.g. Abineno on year 1959 have proposed so arranged by revisions on Hymn and church praises, since it constitutes translation of Dutch chant book and not load one praise even Asias. So in line with awareness of needs it faith that kontestual and Bible that kontekstual, therefore, necessary too praises that kontekstual. It emphasized by Asia churches. In its appointment at parohan most year-end 50 an, they decide to need it presents Bible in Asian terms. This idea consistent ala to be applied too on praise requirement by Asia church with be publicized EACC Hymnbook that meaty praises of Asia church on year 1960 an. ^{1 3}

Church music future is church music that kontekstual, this also applies for liturgi, that church music place gets role. Church music that kontekstual in observance that kontekstual then is propped and dihayati with express kontekstual's art.

kontekstualisasi's effort gerejawi's music really is not easy thing, as well as say so i. to Loh, churches at Asian have perceived cozy with praise those are heirsed from western churches. I. to Loh proposes effort arrange that reteach Asia church so know its own culture backs. Really kontekstualisasi gerejawi's music is not simply effort to reanimate lost culture at church. But needs to be noticed too that kontekstualisasi that gerejawi's music is done in the effort mengkontekstualkan that church is alone and also mengkontekstualkan Bible, so good Bible and also nots church become a part strange one for church place society and that Bible growing. ^{1 4}

4. Liturgi's music as Lingual As and Mode For Bible and Culture meets

Was named above that that music kontekstual. It is tied-up hand in glove with its environment culture. Are not just hand in glove but also taste mode be sad and grief, hate and love is revealed. With kind sort forms to pass through gamelan and also jazz, this expression get are a prey to. So music which just often viewed as by thing that comforts, most verily constitute language of a society that is used for its soulful. ^{1 5}

In day-to-day life, aware ala or not human have passed through it with various ritus, of morning build until wants night sleep. So gets to be said that human life can't divorce from ritus ritus. It is seeming once deep life gets religion, since ritus gets main attention and be developed specially. ritual's forms constitute human place house frameworks lives to get socials and gets religions whereas music constitute language who can evoke good someone binding taste with humanity and also with house (church) that own. Therefore cords among music with herculean observance once.

Tied up that strong it can be seen that observance and music never absents deep church life. Music that becomes social life part antic Israel society then as ritual's life part at God's Couplet. Musics in antic Israel observance experiences changing, while is center moving church its orientation of world Palestinian goes to to universalize Roman Greek. Tahlil (chanting), antic Israel religious service music in shaped frequent regular one dashed with by spontaneity song. Helenis's song and poem style starts to emerge, no longer use Jewish praise patterns aughts. So as it were liturgi everlastingly experiences changing since its context, such too liturgipun's music experiences pengkontekstualisasian of term goes to term. Good Pengkontekstualisasian liturgi and also liturgi's music not such compulsion of aught context. This was realised since is first God everlastingly mengkontekstualisasikan her, and the second one is good liturgi and also liturgi's music constitute God's language and mode and man get communication.

Kontekstualisasi most verily constitutes integrated Bible with context. It points on Allah that becomes flesh and God which are kept quiet they betwixt. Liturgi and also liturgi's music viewed as by human place language gets to express taste and its faith. Therefore kontekstualisasi gerejawi's music actually doesn't make how West music gets to be accepted by churches non Western, but how music as lingual as that local gets ditumbuhkembangkan menyatu in man himself at a swoop as God's place mode attend and menyatu with context, man, and culture.

CHAPTER IV.

LITURGI'S MUSIC AT INDONESIAN

1. History and Liturgi's Music developing at Indonesian before Konsili Vatikan II.

liturgi's music at Indonesian form a part of music liturgi in a general way. Therefore history and liturgi's music developing at Indonesian can't most parry also get influence of liturgi's music life universalizes. Actually liturgi's music at Indonesian have gotten on with liturgi and liturgi's music of West. But such needs to be known that incoming church tradition appointment goes to Indonesia apparently experience what do at conceive of inkulturasi. It can be realised since Indonesia constitutes one of place mission region catholic church widen its wing, and Indonesia get as been said firm as a rock nation keep its culture person. So inkulturasi's method, indegenisasi, pempribumian or too kontekstualisasi becomes gap that is chosen divides church to render her manifestly.

For that matter, go away before Konsili Vatikan II., at Indonesia has experienced inkulturasi namely Catholic religion first time this entering. Inkulturasi was energetic executed deep liturgi, such even with music liturgi. Before Konsili Vatikan II., one that as base newing to hit inkulturasi liturgi's music, acquired permit from keuskupan Rome church that becomes inkulturasi's basic in liturgi's music. So at Indonesian regions have a lot of met by inkulturasi's efforts.

1. Liturgi's Music situation In Many Region at Indonesian

Before Konsili Vatikan II. at region being become by inkulturasi liturgi's music. At Manggarai, Flores is Western, inkulturasi's process liturgi's music was begun before world war. Mgr. W. Beckum SVD's van a bishop at Ruteng is inkulturasi's pioneer. It energeticing to gather Manggarai's songs and tries that that song gets to be written by not, so gets to be studied. It also asks out a number custom chairman as to establish new song for stationary observance outside misa. Therefore on year 1947 at Ende publishes one songbook that gets title Dere is eurasian . Heretofore binds books that is still updated.

At Dawan's region, Timor, inkulturasi is liturgi's song laboured by Vincent Lecovic SVD. Its effort is note traditional songs. Severally lament song at o to be used deep observance, it also expatiates own many new songs in Dawan's music genre. Finally on year 1960 published one songbooks with title Tsi Tanaeb Uis Neno with severally song in Dawan's music genre, but a lot of too brogue which is taken over from book Jubilate  one that deciphered into Dawan's language. Book Tsi Tanaeb Uis Neno  this several times is reprinted and expanded by its content. According to people at Timor, songs of Tsi Tanaeb Uis Neno  heretofore is still to be used and favourite. But by and large at Flores and Timor processes inkulturasi long time enough is constrained because of marks sense songbook Jubilate.

At Intermediate Java, inkulturasi gendhing in observance have at starts in year 1925. At education school learns Muntilan, C. Hardjasoebrata on teleological Br. Clementius dares self to expatiate some gendhing church in javanese with gamut pelog  one that is sung without accompaniment, for example Roncen's rule . With choral from Muntilan this song dipentaskan first times at Kidul Loji Yogyakarta's Church is before rearing church and people. Even available voice that objection because reputed profan , but rearing church no objection. Therefore effort C. Hardjasoebrata is let ways continually that song origin be not been used deep misa. Upon stage second happens 31st January 1926 at same place, voices that objection previousing to realise that that new anthem kindred with song kraton is not kindred with play or amusement song. Effort C. Hardjasoebrata this was kept on at Solo, expanded experiment also at any other place as Ganjuran, Wedi, and Kalasan.

After world war ii, Mgr. Suryopranoto who becomes thruster to advance gamelan in church. On year 1955 found a special committees for gendhing church. On year 1956 for the first time arranged gendhing's demonstrations Atmodarsono's composition church and C. Hardjasoebrata with offbeat gamelan. This demonstration witnessed by bishop father. Since its result perceived by positive peer, therefore bishop father asks for permit to go to that Rome gendhing church may be used deep misa but with Latin language. ⁵⁴

Year beginning 1956 Pugeran Yogyakarta's parishes becomes to center gamelan music activities gerejani. R. Hajowardoyo publishes gendhing's bulk church with title Kyriale  and Natalia.  Walking developing goes on and getting a lot of energy by Konsili Vatikan II. outspoken ala one back up inkulturasi's IDE. ⁵⁵  In javanese also available book kind of Jubilate  with title Pepudyan is Clean  one that published for the first time on year 1937. But role and influence of this songbook not just after strong, and several times too this book experiences changing language.

In history and liturgi's music developing at Indonesian before Konsili Vatikan II., inkulturasi is not just happening Flores, Timor or Mean Java only. On even other region experiences inkulturasi, just just because that region is far as Sumatra, Sulawesi, Kalimantan even Irian Dignity, therefore doesn't be lifted its news as it were reducing a lot of acknowledged that inkulturasi liturgi or music even liturgi was become before Konsili Vatikan II..

2. Inkulturasi is Liturgi's Song on Songbook Jubilate

Jubilate  are one liturgi's songbook. This book first time is published at Ende on year 1930 by Does SVD's Pastors  (Pustardos).  Content of this book especially is not song for misa but song for praise observance  (salve)  on evening.

At the time world war ii pastor and brother uses their leeway at concentration camp to fix and completes content Jubilate.  Upon book Jubilate  publish for secondly, year 1947 its contents rather disparate. Content of Jubilate  proveded with by misa's song Latin and Indonesian, since Indonesia at that moment, have gotten permit of Rome to use misa's song in native language.

As book of translation result, book Jubilate  constitute a tall achievement for church. Book Jubilate  this also been worked by person team that aptly knows will music and liturgi. This book is spread at all Indonesia, in the period of forty year 700.000 copy bind books Jubilate  printed at Ende. But book Jubilate  kept most long time bygone even after Konsili Vatikan II. songbook it stills to be used by despite feels to mark sense changing teologis and liturgical.

B. Liturgi's music at Indonesian After Konsili Vatikan II.

1. Konsili Vatikan's influence II. to Liturgi's Music developing at Indonesian

inkulturasi's progress at Indonesian no can escape from Konsili Vatikan II. one constitutes history crossbar that denote startup a new era. Konsili is with surrounding 2500 participants of all angle universalizes have opened door and church window one broad it. People in church can see out and air and wind from outside input blow with all its impact.

There are many think is let fly, there are many disepakati's intention and intention, all is done hotly faith, to look for what do nicest for unfoldment to keep the faith people and divides mankind common behalf. And Konsili becomes aim guidance with laid base for thinking development, movement and update action, rejuvenation and stabilization that really useful.

While is Konsili Vatikan II. end, inkulturasi musically liturgi continually continues. liturgi's update at a swoop pambaharuan liturgi's music getting glow, it can be seen of gets various business activity for menginkulturasikan getting flashy. Not only passes national congress various articles or writing even, seminar, upgrading even until there is week inkulturasi have a lot of is passed and is found.

Each epoch or generation has its own specialty and it can't be looked on as disloyalty or heretic. ⁵⁶  It who makes Konsili to establish that wisdom things that doesn't concern to keep the faith or partnerships exhaustive behalf church don't want to thrust an uniformity forms that rigorous. And liturgi own comprise of unchangeable part and up a part alterable, one that up to epoch circulation can or on the contrary vary. ⁵⁷

1. Condition of Indonesia as An alone uniqueness

Indonesia constitutes archipelago state with drawned round by extensive ocean. Indonesian wealth not only since Indonesian comprise of juxtaposed islands with obstetric nature in it. A heterogeneous alone uniqueness tribal and lingual with culture that variably exists at this country. But also since this pluralism Indonesia experiences alone constraint in term inkulturasi especially kontekstualisasi in liturgi and liturgi's music. Existing church tradition gets to struggle by complex culture context. If happening a kink will make Indonesia quite a unique, since aught cultures. 

2. Musics Developmental method Liturgi at Indonesian

Music tradition in church constitutes universal church treasury that invaluable. That is excess within another art expressions. ⁵⁸  Indonesia has alone music tradition and this music tradition is avowed and accepted deep church. As it were konsili Vatikan II. expects that keagamaan's songs peoples shall be manured carefully, so in righteous observances and holy and deep liturgi's activities own, devout people voice gets to echo, accord method and rubric decision. ⁵⁹

In the other decision, church admits song Gregorian  as song typical liturgi Rome. In consequence music Gregorian  getting main place in liturgi's activities if no judgment which more essential. But another innocent music types, particularly music Polifon  not at all is prohibitted from Godlike observance celebration, even origin appropriate hotly liturgi. ⁶⁰  It aims to increase active participation, therefore ought to acclamation by people, answers, pendarasan is hymn,  antifon antifon , and song, such too demonstration and pose gesture is developed. This is method which becomes grapple for developmental liturgi's music at Indonesian.

2. Inkulturasi's process Liturgi's Music at Indonesian
1. Inkulturasi's constraint Liturgi's Music at Indonesian

With complex Indonesian condition therefore constraint which happens for example: ⁶¹

1. Parish people a long cry good tribe and also its culture custom so elect one of custom to be made inkulturasi's jetty dot is so difficult, and don't mengena on all people. Evenless at all parish its people a considerable part immigrant.
2. Mark sense magis's element, mistis, animistic, takhayul, feudal, etcetera in local cultural element.
3. Element culture so countrified, so it can reduce unity and keumuman( universalita ) catholic church.
4. There are several custom that gets parade character,  profan , so troubles solemnity and people or ceremony concentration.
5. Of social situation: custom party perceives objection, person Catholic so long refuses that all the way new, one that young refuses that over custom, while church boss less paying attention. In ceremony available too elemental thriftless, well for the interested parties family and also divides church or parish.
6. Its reducing is gnostic, well to religion mean or Catholic faith and also to that custom is alone.

While, at any other party outside pluralisms consequent constraint Indonesian, inkulturasi is alone have consequent subject problem of modern life, namely:

1. Insufficiently savvy and appreciation to tradition. Mostly people, particularly young clan, insufficiently knows and offish unaware to culture and alone tradition.
2. Available heterogenitas  in tradition so hard determines to choose elements subject of indonesian culture custom that can be inserted deep liturgi.
3. Subtracted present education system stimulate appreciation to local culture. On the contrary more and more person in particular young clan, seceding from alone culture, and more easy accept new culture point from outside.

Among church party and alone Catholic people gotten by relationship that insufficiently maximal. Each both have alone problem, amongst those:

1. People perceives to require obtainable something from liturgi.
2. Insufficiently savvy and people participation in liturgi, since reducing marks sense liturgi's guidance and resuscitation to people.
3. Church faces people problem that heterogeneous , the difference young old age, the difference tall its low increases education, the difference tribe etc..
4. Peoples living view be broken down up two pattern live, insufficiently there is harmony, integration among the need, matearialistis's attitude and spirituality the need.
5. There are many people experience its own tribe identity crisis.

2. Inkulturasi's method Divides Liturgi's Music at Indonesian

With see condition and situation this kind of, to the effect liturgi glory becomes less maximal. That inkulturasi can successful, with wish reaches liturgi truthfully therefore church perceives to need marks sense method in inkulturasi namely: ⁶²

1. Looking for form in origin.
2. Applying inkulturasi's guidances.
3. Looking for mean, send away for, new mandate that will be passed on none other than jetty of faith.
4. making estimation, get jetty of original form (number method 1), looking for elements would be convenient (number method 2 and 3) and which that incompatible being discarded.
5. Arranging new song, testing it if kristiani's meaning selfexplanatory and fledged.
6. Giving explanation, recognition to people about new song mean so people gets the picture and menghayati as elemental as integral in life culture and keagamaannya.

3. Body That Handle Liturgi's Music at Indonesian

One of effort tackling interference is have available research to element local or custom culture that will be inserted into church ceremony, so elect gets selective and correct mengena.

Throne Apostolic  giving authority to chairman of local church so fitting carried on by on the qui vive one needs it. ⁶³  Decisions about liturgi usually evoke handicap typicaling to hit fittings, particularly at mission region as Indonesian As. Therefore in arrange that decision ought to are of service pros for area is pertinent. ⁶⁴

Accomplished hotly Kristiani, ought to artists music realises that they are called to develop liturgi's music and enriches its treasury. So expected music artist expatiate songs that have character liturgi truthfully, and not only gets to be sung by paduan little chorus and develops jemaat's active participation devout. Poems for song liturgi shall in harmony with Catholic teaching, even prima facie ought to been bailed from liturgi's clean and stem book. ⁶⁵  That is call of church for music author.

Besides as well as Universa Laus , one international agency which handle liturgi's music, Indonesia has to warm up also which handle music development special liturgi at country.

Body that handle liturgi's music at Indonesian subdivided deep three scales, the first is sexy Liturgi KWI's Music (Konperensi Waligereja is Indonesia), secondly, Liturgi Keuskupan's Music section, and the latest is Liturgi's Music gallery. Marginally drd subject task it covers three areas namely: penyediaan is medium, education and coordination and communication. But bases region scale that they rides herd on to exist distinctive:

3.1. Commission Music section Liturgi KWI

Commission Music section Liturgi KWI is part of Commission Liturgi KWI that specially handle liturgi's music area at Indonesian. ⁶⁶  Commission Music section Liturgi KWI has authority assess songs that be and will circulate and giving obstat's naught  on liturgi's songs. ⁶⁷  In coordination area and Music section communication Liturgi KWI's Commission on call for example: ⁶⁸

1. Look for or passes on information about things which be engaged liturgi's music of or to on one's side the interested parties.
2. Even out or presenting hemetically.
3. Arranging Liturgi's Music Congress.
4. Building communication among or with Liturgi's Music section.
5. Building communication among or with Liturgi's Music gallery.
6. Building communication among liturgi's musician.
7. Delegating task to Liturgi Keuskupan's Music section, liturgi's gallery and musician.
8. Labour to mark sense bulletin as medium of communication and information about things which gets bearing with penyediaan medium, education, coordination and information and authority at liturgi's music area.
9. Building communication with other church.
10. Building communication with commanding institution.
11. Building communication with sexy liturgi's music other state.

3.2. Liturgi Keuskupan's Music section

In practise function and its task, Liturgi KWI's commission plays ball with its partner at keuskupan's zoom. Each keuskupan at Indonesian have Liturgi Keuskupan's Commission, entah as commission alone entah fused by other commission. Indonesia has 34 Liturgi's Commissions at keuskupan keuskupan region. ⁶⁹

Liturgi Keuskupan's Music section is part of Commission Liturgi Keuskupan who think up music development performing liturgi at keuskupan that pertinent. ⁷⁰  Commission Music section Liturgi Keuskupan has authority give obstat's naught  to song or observance songbook to be published and utilized by sekeuskupan's people, besides it also authoritative arrange censor on songs that be and will circulate. ⁷¹  In coordination area and Music section communication Liturgi Keuskupan has task: ⁷²

1. Mengkoordinasi marks sense and smooth it relationship among agglomerate, parish, institute, liturgi's gallery and musician that is at keuskupan that pertinent.
2. Look for or passes on information about things which be engaged liturgi's music well of and also to on one's side the interested parties at exhaustive keuskupan.
3. Appointing someone, gallery or a galaxy musician liturgi to till one task musically liturgi.
4. Building communication with sexy Liturgi KWI's Commission Music, Liturgi's Music section, and keuskupan's gallery any other for commutes experience or add science musically liturgi.
5. Labour to mark sense bulletin as medium of communication and information about things which gets bearing with penyediaan medium, education, coordination and information and authority musically liturgi.
6. Building communication with commanding institution or other institutes concerning.

3.3. Liturgi's Music gallery

One that intended with Liturgi's Music Gallery is agglomerate or body or sexy outdoor institute Liturgi KWI's Commission Music and Liturgi Keuskupan's Music section, that initiative and creativity pass it goes along to till and develops liturgi's music at Indonesian. ⁷³  Liturgi's Music section has authority to propose and gives tipses to on one's side in charge about things which get bearings with obstat's naught  liturgi's songs. ⁷⁴  In coordination area and Music Gallery communication Liturgi on call: ⁷⁵

1. Look for and passes on information about things which be engaged liturgi's music well of and also to on one's side the interested parties.
2. Even out or presenting hemetically.
3. Building communication among or with Liturgi Keuskupan's Music section or Liturgi KWI's Music section.
4. Building communication among or with Liturgi's Music gallery.
5. Building communication with musicians liturgi.
6. Delegating task with parishes.
7. Delegating task to musicians liturgi.
8. Labour to mark sense bulletin as medium of communication and information about things which gets bearing with penyediaan medium, education, coordination and information and authority at liturgi's music area.
9. Building communication with other church.
10. Building communication with commanding institution.
11. Building communication with sexy Liturgi's Music other state.

One of liturgi's music gallery is Center Liturgi Yogyakarta's Music instituted by serikat Jesus on year 1971. On year 1987 PML is made one of part of Center Kataketik. To the effect PML is subject to be serve an office on music developing at Indonesian in a general way and liturgi's music on in particular, particularly in order to inkulturasi. This to the effect is laboured studi thru to gerejani's region and song song that is transferred or is gathered, then is commented, improved one needs it and is published. Sometimes been arranged too workshop with musicians region or local. Besides PML do record and memproduksi is Cassette. Handled Church Music course by PML teaches conductor, organis and gamelan player. Besides is published too News monthly Liturgi's Music. ⁷⁶

In penyediaan's area medium and education among sexy Liturgi KWI's Commission Music, Liturgi Keuskupan's Music section and Gallery or Liturgi's Music Center have same task. In penyediaan's area medium for example: ⁷⁷

1. Menginventarisasi is liturgi's song and songbook.
2. Translating song get intern language into indonesian or region or song gets indonesians into vernacular local.
3. Arranging new songs.
4. Labour most actually songs and songbook.
5. Labour to mark sense and most reads it reading books to add sciences and skills about music liturgi.
6. Giving push or road map to group or parish that wants to have bagpipe for observance the need.

One of music development effort liturgi at Indonesian is deep educational for liturgi's music. About catholic churches at Indonesian utilize method no. 115 from konsili cleans namely that: education and music practice that dijunjung shall high in seminaries, in novisiat and such nun education institutes too in institutes and another catholic schools. To secure this education, shall be built with every consideration instructor which are appointed to teach clean musics. Besides encouraged that if maybe, instituted by Innocent Music College. Music artists, singers especially children shall too given by liturgi's educations. ⁷⁸

In commission task educationals liturgi that for example: ⁷⁹

1. Even out or gives liturgi's music upgrading, e.g. conductor upgrading, organis, solis and pemazmur.
2. Arranging liturgi's music workshop.
3. Even out or gives liturgi's music course.
4. Labour most actually past master at liturgi's music area.
5. Commenting songs that be circulates, and insofar needs to give repair tipses.

C. Inkulturasi's form Liturgi's Music at Indonesian

oikumenis's ala fitting happens in liturgical movement( Liturgical Movement ). Liturgical movement to be begun since 19th century middle and culminating on Konsili Vatikan II. at Roman Catholic church (1963 - 1965). Fitting and liturgical movement, giving update on elements in liturgi. Observance manner, including room manner, officers, simbolik, stirred manner, music, and sacrament in liturgi is placed in kontekstualisasi's grasp and liturgical movement spirit. ⁸⁰

liturgi's adjusted history on 20th century gets in on kontekstualisasi's tussle, particularly divides churches at Asian, including at Indonesia. Fitting is opened especially in the event ministering sacrament, sakramentalia, procession, liturgi's language, music, and clean art. Inkulturasi liturgi and music liturgi is a charge from Konsili Vatikan II. and spontaneous liturgi's Congress and liturgi's music at Indonesian. Meanwhile Indonesianisasi constitutes a special stage correspond to situation at Indonesian. Indonesian archipelago apparently doesn't constitute a culture unity but points out sizable difference among islands and cultures each. Therefore difficult is looked for an Indonesian church music because no indonesian culture. Whatever available is Flores's culture and music, Rob, Dayak, Java etcetera.

At any other party, differences between region is perceived as diversity that adequately fresh, style each region or tribe loads a typical expression. If position gives that song in observance functionally therefore don't will only evoke a rich variation but also each song gets to back up what does want to be reached at that moment in observance.

1. Inkulturasi is Liturgi's Music at Indonesian regions

1.1. At Flores and Timor

On year 1966 until 1970 at Ledalero Flores's Tall seminary constitute song search heyday new observance. Even song which is resulted gets song and Western tone ending, but form and poem was breathed liturgi new. Its result is published deep quits Ala and  at Ende 1967 and so on, with author as Jan Riberu, And Kitti SVD, Martin Runi, Alfons Hayon etcetera. Then for one refrain Ala and  input too in songbook Fortunately to Bapa . ⁸¹

This book for largely constitute job result of P. Appie's team der Heijden SVD's Van with P. Alex Beding SVD. With effort to take over song of Jubilate  with substitute poem and adding more a lot of hymn song therefore collected 403 songs. But just mite melodic song Flores. As book that corresponds to liturgi after Konsili Vatikan II., this songbook not just after pulls. Accordingly people progressively perceive song tradition loss so in reason if there is voice which wants back on songbook Jubilate . Church music situation thus at Nusa Is East South-east becomes really heterogeneous . Wish to keep tradition where was become change in church, liturgi and deep culture constrains to arise it thirst taste on new song.

Nearer on culture Flores is arranged effort at Mataloko's Intermediate seminary, Bajawa, Flores. On year 1970 celebrated seminary 40th anniversaries Intermediate. This reason pushes komponis young, Martin Runi expatiates one misa's song suite on a basic custom song motifs Ngada  one that at a swoop espoused by dance. ⁸²  With motifs conscientious enoughs be chosen and by developed it song enoughs, therefore eventual materializes misa Windu's pentameter  Martin Runi's composition that for the first time dipentaskan and at year attraction 1970 at Mataloko. Base this experience, Martin Runi expatiates a number other song with Belu's motif, Timor for example Misa is eventide .

On year 1974, Larantuka, Flores is East gets a Mgr's new bishop. Darius Nggawa. Most shove by pride on be lifted one native as bishop of local, therefore Matius Weruin, a music teacher which adequately been known at all Flores East, expatiate one misa with mengolah local region refrains namely songs Dolo dolo  as Misa Dolo dolo . Misa this presto spread at all Nusa's region East South-east, a prove just how correct this opus result. Even so, originally exists also voice which perceive recollects region song in origin and its position as song of amusement, but that new song so its expression strength so successful grabs heart.

On year 1977 Ledalero's Tall seminaries returns to become song developing centers liturgi, get link will be celebrated its 40th HUT this Tall seminary, therefore comes into the world Misa Wanderer  one that is initiated for example by P. Anton Sigoama, P. Alfons Hayon, and P. And Kitti. Really worthy to be praised especially its song poem. ⁸³

Despitefully indeed still available a lot of again attempt in spread parish at Flores's archipelago, Timor, and Sumba. But regular feels that haven't available substitution for Jubilate.  Faith Eulogy book haven't a lot of circulating at Flores and Timor, year 1986 more or less just exists 15.000 books Faith eulogy at Flores and 20.000 books at Timor. Just keuskupan Weetebula, Sumba that brave take stage to use book Faith eulogy  on the contrary with special edition namely with affix 47 kesayangan's songs Sumba's peoples of books Fortunately to Bapa.

At Flores and Timor Is people not overactive in singing following especially since no book. Local ala, this void settled by compositions by conductors or komponis is locals. But apparently which singing particularly choral. New songs seems to be vanishings as stensilan who is made for several times vesture. Typical song classy Flores and Timor there is also, particularly song which constitute composition workshop result that arranged deep cooperative with Liturgi Yogyakarta's Music Center year 1979 at Detusoko Flores and year 1986 at Betun, Timor.

1.2. At Intermediate Java

Before Konsili Vatikan II. gendhing was utilized deep liturgi's conduct. But Konsili Vatikan's afters II. outspoken ala one back up inkulturasi's IDE, therefore with glow grows gendhing's myriad Hymn for example by M. Siswanto, Ign. Pujoharsono, RL. Suwardja, Z. Sudiro, and V. Marsudi. Then gathered by RM. Wahyosudibyo Pr and is published at year startup 70 an with title Gendhing Jawi's Hymn melody, Gendhing is Bojana's Attendant offering, Gendhing Jawi's Innocent melody Sunday Adi.  One newer stage again is around Story experiment misery, Macapat, and kethoprak, Rm. Fx. Wiyono Pr with JB. Sukodi main plays a part that sizable. Partly this experiment is documented deep gendhing's cassette church that published by PML. ⁸⁴

Year 1968 Kolsani's Music section publishes to bind books Anyar Kagem Gusti's melody with hymns but is not gendhing. On year 1975 Rm. Wahyusudibyo publishes 2 volume bind books to chant Javas with Melody title Praises Eucharist, but this songbook circulation only at parish Jetis just. PML publishes on year 1978 an anthem bulk non gendhing with title Sumunar's light . Year 1983 a special committees of semarang archdiocese with PML arranges to bind books Adi's melody  one that constitutes a paduan among inspires gendhing and anthem with gamut diatonis , well with song and invocation.

1.3. At Sumatra

Inkulturasi at Sumatra North particularly Robs is not easy. It is engaged domicile music To Rob. In tribe Robs Toba by and large traditional music in reference to slug , its mean constitute dance accompaniment( Tortor ). Meanwhile Toba's region song was few restrain from this pattern and smelly West. In Simalungun's tribe there are some stage create anthem with lilting bent Simalungun: Misa, god-forsaken story song and as it were in Simalungun's language for example Tall seminary result Siantar's Causeway. At seribudolok's Parish on year 70 an a pastor Dutching to ask for to a traditional musicians that moslem as to establish umpteen anthem which gets pattern and get Simalungun's language. This song sidetensil, its example exists deep PML'S cassette 36 Indonesian Church Music Miscellanies. ⁸⁵

Tribe Robs antic be perceived rather intern between tribal Robs, new present it starts to be noticed by church therefore was gotten inkulturasi's result myriad. While tribe Robs Pakpak, Dairi constitutes tribe Rob smallest one and devastated, therefore stage inkulturasi has found time is carried on.

About moon Jufhg,lkni is July 1986, in archdiocese Composition workshop Field at Siantar's Causeway for the first time arranged stage seriousing to studies song To Rob and mengolahnya is back or compose new anthems that gets pattern To Rob. This workshop led by team from PML results 42 new songs that was published.

Happening special situation Nias's island, it is outlying but gets culture and get special language. As it were at Robs so also at Nias, reverend on century lasting to prohibit all custom element but apparently is not a hundred successful percents. At mountain and south tip is still live traditional music, particularly which is engaged martial and contest. But its over song impudent for at o pitches upon to become observance song. Meanwhile dance Maena one that so popular at Nias's island, are not potbound on this custom music but smelly West. Therefore haven't a lot of available anthem which typical Nias.

1.4. At Kalimantang

Dayak's terms at Kalimantan not constitutes one kultural's unity. Relationship among Kalbar and Kalteng and Kaltim last difficult too. Therefore doesn't marvel that was gotten a lot of stage to aim inkulturasi. Or maybe available stage but unknown besides inhabitant. Local chance of course always there is as raya's day (Christmas, Snugly, marriage, fortunately on crop, tahbisan) or death. Kalimantan's traditional music especially as song instrumental as offbeat as dance. Therefore gallery which opened by P. Lucius Ginting OFM Stamps at Pahauman Kalbar as gallery of dance with its attendant team. Solar various result for observance (devoting, fortunately etcetera) and cassette and its music. But P. Lucius Ginting OFM's afters Stamps move to go to Pontianak, gallery at Pahauman little bit on the downgrade. So even with swasta's gallery fate that have once found at Sanggau, Putusibau (Kalbar), Buntok (Kalteng) etcetera.

P. Huvang MSF (a Kaltim's original son) keuskupan Banjarmasin, in july 1984 invite PML'S teams to arrange composition workshop at Buntok Kalimantan Intermediates with 40 region musicians. Its result is 20 new anthems. On year 1985 efforts this kind of is done at tering Kalimantan East for musicians from Kaltim. On PML'S initiative bishops one region at Kalimantan decides to publish that song in addition in special edition Faith Eulogy Kalimantan. As much 45 that song is loaded too in book and cassette Extemporaneous Top reed  PML'S derivative 1986.

1.5. At Sulawesi

Region at Sulawesi already becomes Christian be Toraja and Manado. Particularly at North Sulawesi was gotten inkulturasi gets bearing with Kolintang's Music. At all Kolintang's bagpipe Indonesia was really popular. Since year-end 60 an exists anthem that is created preferably around Pineleng's Tall seminary Northern Sulawesi. That song take rhythm and pattern inspiration of Maengket's region dance and Kolintang's musics. Therefore comes into the world a number misa's song and Hymn that published by PML year 1974 by titles Misa Minahasa  and cassette Go forward forwards.  In Faith eulogy  available a number song is chosen from this collection, but processing effort darling Minahasa's traditional music at a dead set since year middle 70 an it is caused figures its as P. Tinggogoy, Felix Mongdong, and Pontoan Is move goes to Java.

1.6. At Moluccas and Irian Is Dignity

inkulturasi's fate at moluccas as as at Kalimantan, since its communication is hard therefore acknowledged reducing. But actually available local steps just no documentation. 

After Konsili Vatikan II. on year 1979 at keuskupan Ambon was published to bind books chant with title Let praise , but song that gets tradition pattern Go To i. or Tanimbar or Ambon doesn't be loaded deep that book. Book Let praise  still regular is used at Ambon because songbook Faith eulogy  haven't a lot of circulating over there. ⁸⁶

On year 1978 Irian Dignity gets wind, since over there appearance one anthem suite with Misa's title Maiwana.  After been analyzed this song apparently comes into the world at Papuan Nugini and is indonesianized at Irian Dignity. One part of misa this also been loaded deep Faith eulogy.  One that circulating over there available 20.000 more copies.

2. Inkulturasi in Liturgi's Songbook Faith Eulogy

As effort commissions Liturgi's Musics, church figures, church artists, on liturgi's workshop and deliberation and liturgi's musics that is done gets bearing with Konsili Vatikan's affirmation II. worthy is named in here is bind books Faith eulogy .

Besides loads one suite of region song that taken from by liturgi's songbooks already publishes previously this bookmaking also to serve need thirsty people will mark sense one guidance book for liturgi's song. It also being backed up by liturgi's constitution rule hit number clean music 117 about liturgi's songbook bookmaking specifically for song Gregorian  and simpler song. That edition samples book Gregorian  shall be solved, even has to be made ready by more publication critical of book already being published after Pius's Saint update X. Also good if made ready by publication that load simpler song to be utilized at smaller church. ⁸⁷

After been published its many liturgi's songbooks in advance, therefore upon Liturgi's Music Congress III. on year 1980 at prayers book published Jakarta and chant get title Faith eulogy .  Faith eulogy  constitute one of form inkulturasi and Indonesianisasi, a form that corresponds to Konsili Vatikan II.. In Faith eulogy  that load Indonesia diversity.

Faith eulogy arranged and broadcast by Liturgi Yogyakarta's Music Center. Besides song at in this book available too a number invocation. Song in it reflect liturgi's music developing at Indonesian after Konsili Vatikan II.. One third (more or less 150 songs) of song treasury Faith eulogy constituting translation song of Europe. Song that is taken over from western church (song Christmas ,  Maria ,  Gregorian ). A third again constitute new creature song by many komponis Indonesian, but gets Western pattern or get international music genre. And one-third the latest reflects a zonal typical style Indonesian, Flores's style, Java, Kalimantan, Pentatonis etcetera.

Zonal style in binds books Faith eulogy  this constitutes a chance to celebrate observance with local region song, so more mengena at heart. Diversity in 450 that song slated that people can choose song at one's will.  Faith eulogy  giving chance to know song of Indonesia region, Catholic soul at Indonesian. Christ body unites tribe, therefore may also Faith eulogy  this was utilized region beyond that pertinent origin is liked.

On Year 1992 are published Suplemen's Faith eulogy  with 270 new songs of regions at Indonesian theretofore one insufficiently been represented. Total Faith eulogy  one that is passed round until year 1994 up to well-nigh two million copies. Severally keuskupan adds special attachment on Faith eulogy .

About Faith Eulogy 2000

Since year 1997 Liturgi's Music Center tries to arrange book refreshings Faith eulogy  one that years published first time 1980. In this refreshing regular keeps 450 songs, but 52 song substituted by new songs. Besides, numbers, poem and song song Faith eulogy  so long is kept. It is meant so book Faith eulogy  so long gets to be used stands up with book Faith eulogy  new, particularly choir book and accompaniment book make a abode beneficent. Besides Liturgi Yogyakarta's Music Center opines that one song already dihapal may not revamp song and its poem because have become flesh, have become people belonging so get as been sung invocation.

In Faith eulogy  edition 2000 it songs Gregorian  negated because apparently subtracted being used, adequately is hard to be sung so substituted by Hymn  and Melody . Even at one party a lot of people that haven't perceived snugly with Hymn, but at any other content party a number Hymn so current with living the present day. For song enthusiast Gregorian  have available special book that gets title et Origo's lux  PML'S derivative also.

New song in binds books Faith eulogy 2000  come from 39 arranged Composition workshop by center Liturgi's Music at various region with is more than 1000 musicians of keuskupan's sorts. Song are created in company with aims to enrich liturgi with colour elemental Indonesian tradition musics. ⁸⁸

So presumably, church music at Indonesian apparently effloresce continually corresponds to its task from Konsili Vatikan II. and spontaneous Konperensi Indonesia Bishop namely to berinkulturasi.

CHAPTER V

SHELL

Conclusion

1. Before Konsili Vatikan II. liturgi's music at Indonesian have experienced inkulturasi bases permit from keuskupan Rome, and Konsili Vatikan's afters II. inkulturasi's effort liturgi's music laboured by better ala, inkulturasi becomes accountability with and Konsili Vatikan's document becomes source and its guidance.

2. Tribal variety, culture and language that variably really can become an alone pride for inkulturasi liturgi's music, but in that process thing can also become a constraint, while exists subject problem around inkulturasi arising out modern life e.g., mark sense attitude less price alone culture and tending adopt culture of West.

3. After Konsili Vatikan II. inkulturasi's activity liturgi's music at Indonesian getting glow, liturgi's music workshop that arranged results new kreasi kreasi deep liturgi's music as deep as Faith Eulogy songbook, so not only been known Gregorian's music and Polifoni Is all this time Clean ordinary is utilized in gets observance.

Tipses

1. liturgi's music at Indonesian everlastingly goes on amends according to culture and society context that everlastingly dynamic. Study of a master in Religion comparea severely been required for mengungkap more case of about problem music liturgi at Indonesian.

2. There is benefit even this research for Islam people is expand discourse and science about music liturgi to been made material for treasury development effort Islami's music, as be formed a special body that handle that music development.

1  Theo Witkamp, Yr. D,  “ Primordial christianity hymns in the context First Century Jew ”, in  Discourse Ambasador echo, Church Music edition (Yogyakarta: Discourse Ambasador echo, 1994), hlm. 16.

2 Ibid.  hlm. 18.

3  “ Gregorian is Kristiani's observance song eldest.” Adolf Heuken SJ's see,  I. Volume Church encyclopaedia  (Jakarta: Foundation Composes Loka Emissary, 1991), hlm. 399. 

4 “Pius x officiates as Pope (1903 - 1914) according to motto it it wants membaharui everything deep Christ and centralizes its effort on church problem, advancing liturgi's update and ofisi's invocation.“ Adolf Heuken SJ's see,  Volume Church encyclopaedia IV.  (Jakarta: Foundation Composes Loka Emissary, 1994), hlm. 12.

5  Karl Edmund Prier SJ.  Guidance For Song and Music in Universa Laus's Document Observance  (Yogyakarta: PML, 1987), hlm. 8. 

6  Adolf Heuken SJ,  Encyclopaedia Volume church II.  (Jakarta: Foundation Composes Loka Emissary, 1992), hlm. 59.

7  Adolf Heuken SJ,  III. Volume Church encyclopaedia  (Jakarta: Foundation Composes Loka Emissary, 1993), hlm. 197.

8  Karl Edmund Prier SJ,  Domicile Song In Liturgi  (Yogyakarta: PML, 1987), hlm. 4.

9  Gabriel Manek SVD,  Instruction About Music in Liturgi  (Ende: Arnoldus, 1967), hlm. 5.

10  Commission Music section Liturgi KWI,  directorium About Liturgi's Music Development at Indonesian  (Yogyakarta: Liturgi KWI's commission, 1989), hlm. 3.

11  JB is kustanto SJ's Day,  Inkulturasi is Catholic Religion in Javanese culture  (Yogyakarta: Pastoral Yogyakarta's center, 1989), hlm. 8.

12  Jean Yves Calves, “Inkulturasi's reality ”, in Spritual,  XXXIII, No. 8, August 1986, hlm. 266.

13  Karl Edmund Prier SJ,  Inkulturasi is Liturgi's Song  (Yogyakarta: PML, 1986), hlm. 3.

14  Karl Edmund Prier SJ,  Guidance …. op. cit.,  hlm. 3. 

15  Commission Music section Liturgi KWI,  loc. cit..

16  Romdon,  Religion Comparative Studies methodology: An Early Introduction  (Jakarta: PT. Grafindo's king Homeland, 1996), hlm. 76 - 77.

17  Sutrisno Hadi,  Research's methodology i. Volume  (Yogyakarta: Faculty Publisher foundation UGM'S Psychology, 1998), hlm. 42.

18  Winarno Surakhmad,  Scientific Research introduction: Basic, Method, and Tech  (Bandung Tarsito, 1990), hlm 131.

19  “Church music and Stripling ”, in Music in Religious Service at SMP'S Adolescent Commission,  at http: //www. gkjmb. or. id. bulletin10 / tiwi. html., hlm.1.

20  Karl Edmund Prier SJ, “Church Music developing Until 20th Century ”, in Discourse Ambasador echo, Church Music edition (Yogyakarta: Discourse Ambasador echo, 1994), hlm. 35 - 36.

21  “Church music and Stripling,……”, op. cit.,  hlm.1. 

22 Schola  are titled for a galaxy practiced singer. 

23  Karl Edmund Prier SJ, “……'s developing ”. op. cit.,  hlm. 36. 

24 Ibid,  hlm. 37. 

25 Ibid . 

26  Music Klerikal  are music that becomes task or one part did by Cleric  (devout men that accepts tahbisan diakoniat, imanat or keuskupan).

27  “ Profan  come from profane's word in english language, one that terminological lingual meaning gross, improper, as bold as brass. But in at variance with mean word sacred  (clean)  profan  secular matter, ordinary.” John M. Echols's see and Hassan Sadily,  Indonesian English dictionary  (Jakarta: Gramedia, 1987), hlm. 449.

28  Karl Edmund Prier, “……'s developing..”  op. cit , hlm. 37.

29  Karl Edmund Prier SJ,”Developing  …..… ”,  op. cit.,  hlm. 41.

30  Karl Edmund Prier SJ,  I. Music history  (Yogyakarta: PML, 1991), hlm. 93.

31  Karl Edmund Prier SJ, “……'s developing.”, op. cit.,  hlm. 47 - 49.

32 Devosional  are devotional something. Music flow Devosional  are streaming one get divine observance character keagamaan in its relationship with devotion , obedience.

33  Karl Edmund Prier SJ,  Guidance For Song and Music in Universa Laus's Document Observance  (Yogyakarta: PML, 1987), hlm. 4.

34 Ibid.  hlm. 5.

35  JB. Days kustanto SJ,  Inkulturasi is Catholic Religion in Javanese culture  (Yogyakarta: PPY, 1989), hlm. 40.

36  R. Hardawiryana SJ,  Konsili Vatikan's document II.  (Jakarta: Torch, 1993), hlm. V.

37  J. Riberu,  Guidance history crossbar Aims  (Jakarta: Dokpen MAWI, 1983), hlm. II..

38  R. Hardawiryana,  op. cit.,  hlm. 42.

39  J. Riberu,  op. cit.,  hlm. 38. 

40  R. Hardawiryana,  loc. cit..

41 Ibid,  hlm. 44.

42 Ibid,  hlm. 18.

43  Jean Yves Calves, “ Inkulturasi's reality ”,in Spritual , XXXIII year, No. 8.

44  JB. Days kustanto SJ.,  Inkulturasi is Catholic Religion in Javanese culture  (Yogyakarta: PPY, 1989),hlm. 40.

45  Rasid Rachman,  Liturgi's history introduction  (Tangerang: Dawn star, 1999), hlm. 122. 

46  Liturgi MAWI's commission,  “ Inkulturas i. ”  in Liturgia's build i.  (Jakarta: Torch, 1985), hlm. 19.

47  Adolf Heuken SJ,  Volume Church encyclopaedia II.  (Jakarta: Foundation Composes Loka Emissary, 1992), hlm. 103.

6. sekertariat PWI Liturgi,  Inkulturasi Liturgi  (Jakarta: DokPenMawi, 1980), hlm. 219.
7.  

48

49 ⁷ Communio in brotherhoods meaning church unmitigated.

50  Anscar J. Chupungco OSB,  Liturgi's fitting in Culturizes , (Yogyakarta: Kanisius,1987), hlm. 11.

51  Aristarchus Sukarto , “ Kontekstualisasi is Gerejawi's Music: A Teologis's judgment and kultural ” , in Discourse Ambasador echo no. 48 October Church Music Editions 1996, hlm. 119.

52

Ibid. .

.

53  Antonius K. Sensibleness,  Let singing with  at http://www. mudika. com / is inspiration / myview. PHP? InspID. 

.

1 ² Lee Chong Ming,  Current church music: Music Is Not Just Constitute An aesthetical , at http:// www. gkjmb. or. id / buletin10 / kampmusik. html.

1 ³  Aristarchus Sukarto, op. cit., hlm. 122.

1 ⁴ Ibid.

1 ⁵ Ibid. I

54  Karl Edmund Prier SJ.,  Inkulturasi is Liturgi's Song  (Yogyakarta: PML, 1986), hlm. 11.

55 Ibid.,  hlm. 11 - 12.

56  Anscar J. Chupungco OSB,  Liturgi's fitting in Culturizes  (Yogyakarta: Kanisius, 1987), hlm. 13.

57  Rasid Rachman,  Liturgi's history introduction  (Tangerang: Dawn star, 1999), hlm. 123. 

58  J. Riberu, Guidance history crossbar Aims  (Jakarta: Dokpen MAWI, 1983), hlm. 38. 

59 Ibid,  hlm. 39.

60 Ibid.

61  PWI Liturgi's secretariat,  Inkulturasi Liturgi  (Jakarta: Dokpen MAWI, 1980), hlm. 233. 

62 Ibid.  hlm. 288.

63  R. Hardawiryana,  Konsili Vatikan's document II.  (Jakarta: Dokpen KWI, Torch, 1993) ,  hlm. 18. 

64 Ibid.

65 J. Riberu,  op. cit.,  hlm. 39 - 40. 

66  Commission Music section Liturgi KWI,  directorium About Liturgi's Music Development at Indonesian  (Yogyakarta: Liturgi KWI's commission, 1989), hlm. 6. 

67 Ibid.  hlm. 8

68 Ibid.  hlm. 7 - 8.

69  Liturgi KWI's commission,  Liturgi's profile,  at http: //www. kawali. org / is liturgi's profile. html. 

70  Commission Music section Liturgi KWI,  op. cit.,  hlm. 10.

71 Ibid.  hlm. 12.

72 Ibid.  hlm. 11.

73 Ibid . hlm. 13.

74 Ibid.  hlm. 14.

75 Ibid.

76  Adolf Heuken SJ,  Volume Church encyclopaedia IV.  (Jakarta: Compose Loka Emissary, 1994), hlm. 60 - 61.

77  Commission Music section Liturgi KWI,  op. cit.,  hlm. 6 - 7.

78  J. Riberu,  Guidance history crossbar Aims  (Jakarta: Dokpen MAWI, 1983), hlm. 39.

79  Commission Music section Liturgi KWI,  op. cit.,  hlm. 7.

80  Rasid Rachman,  Liturgi's history introduction  (Tangerang: Dawn star, 1999), hlm. 121.

81  Karl Edmund Prier SJ,  Inkulturasi ….. op. cit.,  hlm. 9.

82  In Catholic Church besides liturgi's music known too liturgi's dance , which is liturgi what do at attraction or form a part of dance a liturgi, even is not each while there is or be utilized deep misa's celebration. 

83  Karl Edmund Prier SJ,  Inkulturasi …… op. cit.,  hlm. 10.

84  Karl Edmund Prier SJ,  Inkulturasi ……. op. cit.,  hlm. 12.

85 Ibid. , hlm. 13. 

86  Karl Edmund Prier SJ,  Inkulturasi ……. op. cit.,  hlm. 16.

87  J. Riberu,  Guidance history crossbar Aims  (Jakarta: Dokpen MAWI, 1983), hlm. 39.

88  Liturgi Yogyakarta's Music center,  Prayer Book Faith eulogy and Edition Song 2000  (Yogyakarta: Liturgi's Music center, 2000), hlm. Preface.